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Sistema de Informação de Apoio ao Ensino
[ Escola de Ciências e Tecnologia ]
Sexta , 14 de Agosto de 2020
2º Semestre, Ano letivo: 2019 / 2020
   
   
 
 
 
Unidades Curriculares
 
Produção áudio
   
Descrição - Bibliografia

Principal

  • Nuno Fonseca , Introdução à Engenharia do Som , FCA - Editora Informática ISBN 9789727226061

  •   Descrição: O que é uma ligação a +4 dBu? Qual é a diferença entre um auxiliar Pre e um auxiliar Post? Para que serve cada parâmetro de um compressor? Qual deve ser a frequência de amostragem que devo usar? Para que serve o Wordclock? Qual a diferença entre Dolby Surround e Dolby Digital? Como posso fazer uma captação e mistura em surround 5.1? Quais são as vantagens de um Line Array? Estas são apenas algumas das perguntas a que poderá responder com o livro "Introdução à Engenharia de Som". Começando pelos conceitos base e acabando com algumas dicas práticas, este livro tanto pode ser lido por simples interessados como por profissionais. https://www.wook.pt/livro/introducao-a-engenharia-de-som-nuno-fonseca/13947531
  • Salviano Soares , Produção de Áudio , ISBN

  •   Descrição: Conjunto de transparências sobre os conteúdos da UC.
  • Nicholas J. Giordano , Physics of the Piano , Oxford University Press ISBN 978-0-19-954602-2

  •   Descrição: http://ukcatalogue.oup.com/product/9780199546022.do
  • Robert Smith D.D, F.R S , Harmonics, or The philosophy of musical sounds (1759) , Cambridge ISBN

  •   Descrição: https://archive.org/details/harmonicsorphilo00smit

Auxiliar

  • J. J. Pedroso de Lima , Ouvido, Ondas e Vibrações: aspectos físicos e biofísicos , Imprensa da Universidade de Coimbra/ Escola Superior de Tecnologia da Saúde de Coimbra ISBN 972-989-26-0143-4 (IUC) / 978-98

  •   Descrição: O livro “Ouvido, ondas e vibrações. Aspectos físicos e biofísicos” é uma caminhada ao longo de conhecimentos sobre sons, ondas e vibrações e, em simultâneo, uma síntese da ciência da audição, para um público provindo de áreas diversas, como biomedicina, engenharia, física, música, psicologia, etc. Tratando-se de um tema transversal a várias áreas do conhecimento, a sua integração ao nível das ciências biomédicas obriga a abordagem de temas que vão desde a anatomia à física avançada. O espantoso aproveitamento das propriedades físicas encontrado nos processos que permitem a audição, torna este sentido num dos temas mais aliciantes da biofísica sensorial, preocupada com os mecanismos de transposição dos limites do organismo vivo por energia exterior e com a recolha da informação a esta associada. Os primeiros capítulos da obra cobrem a física das oscilações mecânicas e dos fenómenos ondulatórios, os seguintes traduzem e demonstram a aplicação destes processos no estudo da biofísica da audição e também do aparelho vestibular, com algum suporte de anatomia e fisiologia. As vibrações acústicas internas ao ser humano e os efeitos sobre o homem do ruído, das vibrações mecânicas de baixa frequência e dos infra-sons são revistos nos dois últimos capítulos.
  • Hilary Wyatt, Tim Amyes , Audio Post Production for Television and Film An introduction to technology and techniques, 3rd Edition , Focal Press ISBN 9780240519470

  •   Descrição: Previously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers. Part one explains the basics of audio post production - how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film and video technology works. Part two follows the path of production sound from its original recording right through to the final mix, and includes sections on editing sound with picture, dialogue, sound effects and music editing, how to run ADR and Foley record sessions, and mixing, using many practical examples. Audio Post Production for Television and Film is aimed at professionals already working in the industry, newcomers, students and those considering sound for film and television as a career - in fact anyone who wants an insight into current professional practices and a comprehensive overview of the sound post production process.
  • Tomlinson Holman , Sound for Digital Video , Focal Press ISBN 9780240807201

  •   Descrição: The distinguishing feature of many low-budget films and TV shows is often the poor sound quality. Now, filmmakers shooting DV on a limited budget can learn from Tomlinson Holman, a film sound production pioneer, how to make their films sound like fully professional productions. Holman offers suggestions that you can apply to your own project from preproduction through postproduction and provides tips and solutions on production, editing, and mixing. Holman, sound engineer on such films as Indiana Jones and the Temple of Doom and Star Wars: Return of the Jedi, is famous for his pioneering work in film sound production and for developing THX. Now, he brings his expertise to the relatively new field of sound for digital video productions. Once considered an amateur format, digital video is becoming the format of choice for some feature films and for many lower budget productions; this book will enable you to use this medium to create the most professional and effective sound possible.
  • Tomlinson Holman , Sound for Film and Television (3rd Edition) , Focal Press ISBN 9780240813301

  •   Descrição: Sound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science. This new edition has been completely updated to reflect the latest advances in HD technology, new hardware and software systems, new distribution methods, wireless sound capture, and more. Also, analog-related content has been reduced and transferred to the chapters covering historical techniques. Sections on troubleshooting and FAQs have been added to help you avoid common pitfalls in sound production. Written by one of Hollywood's leading sound experts, Sound for Film and Television provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room. The accompanying audio DVD contains more than 50 tracks that demonstrate practical, real-world examples of key concepts presented in the book. A companion Web site provides further resources and information: http://booksite.focalpress.com/companion/Holman/SoundforFilmandTelevision/ Please use the access code located in the beginning of the book to register for access to the Web site.
  • David Lewis Yewdall , Practical Art of Motion Picture Sound , Focal Press ISBN 0240812409

  •   Descrição: Practical Art of Motion Picture Sound, 4th edition relies on the professional experience of the author and other top sound craftspeople to provide a comprehensive explanation of film sound, including mixing, dubbing, workflow, budgeting, and digital audio techniques. Practically grounded with real-world stories from the trenches throughout, the book also provides relevant technical data, as well as an appreciation of all the processes involved in creating optimal motion picture sound.
  • John Purcell , Dialogue Editing for Motion Pictures: A Guide to the Invisible Art , Focal Press ISBN 0240809181

  •   Descrição: Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition.
  • Tomlinson Holman , Surround Sound: Up and running: 2 , Focal Press ISBN 0240808290

  •   Descrição: Fully updated throughout this best selling title on surround sound offers you a wealth of practical information, now considered the 'go to' book for those requiring a working knowledge. Concentrating specifically on surround audio, Holman provides clear comprehensive explanations of complex concepts, making this a must have book for all those in the field.
  • Michel Chion , Audio Vision - Sound on Screen , Columbia University Press ISBN 978-0231078993

  •   Descrição: In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception.
  • David Sonnenschein , Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema , Library of Congress Cataloling-in-Publication Data ISBN 0-941188-26-4

  •   Descrição: Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.
  • Ross W. Duffin , How Equal Temperament Ruined Harmony (and Why You Should Care) , W.W. Norton & Company ISBN 0-393-06227-9

  •   Descrição: http://www.amazon.com/Equal-Temperament-Ruined-Harmony-Should/dp/0393334201
  • Luís L. Henrique , Acústica Musical , 5ª Edição com CD , Fundação Clouste Gulbenkian ISBN

  •   Descrição: http://www.fnac.pt/Acustica-Musical-Luis-L-Henrique/a215343
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